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If you’re looking to praise the Dark Lords with your flashy licks and hell-raising riffs, you’re going to need the right stuff for the job! The most important variable when buying an amp for metal is how it delivers distortion. You should make sure to get an amp that can really push the limits of distorting your guitar without completely degrading the tone to bits. Because of how much you need to drive your guitar, a lot of amps simply aren’t able to deliver super high-quality sound.

For the same reasons, isolation boxes are great options for home recording as well. With a well-constructed isolation box, you don’t need to manage the acoustics of your room (or closet, or bathroom, or stairwell — wherever you’re capturing the signal from your amp) to guarantee an excellent recording of your electric guitar performance.

The bariolage part isn’t only exciting because of the chromaticism — all those repeated A’s are intense too, in a way that doesn’t come across fully in MIDI form or played on a piano. On violin, you’re not just hammering the same note over and over. You’re really playing two different notes that are both very close to being A — you alternate between the open A string and the D fingered at the equivalent of the seventh fret in the guitar. These two A’s are a little out of alignment with each other.

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And yes, it’s a masterwork. This isn’t just Japanese new-age hindsight fetishism at play here. Takada’s brilliant suite for marimbas and synthesizer brings Asian timbres and African polyrhythms in perfect contact with the minimalist language of composers like Steve Reich, Terry Riley, and Brian Eno. The fact that this record never made it out of Japan was a cultural crime that needed to be rectified.

Share your musical goals with us and we’ll pair you with a Soundfly Mentor from our team of professional musicians, composers, producers, educators, and music industry veterans to help you achieve them! 

Of course, you don’t need to know whether your listener wears a raincoat or a windbreaker. You just need to know your listener’s musical experiences, and that’s not that hard to figure out! You can base a lot of that off educated guesses if you know both the target audience you’re writing for, and the basic context of the show or film’s fictional world.

A recommendation from a friend is the most effective method of getting new people to give your music a chance, so give your new fans a reason to spread the word.

I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I was humming it to myself and couldn’t figure out where the downbeats were. I have previously used Ableton Live to help me learn a classical piece aurally, so I figured I would do the same thing with this one.

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Hopefully Tredici Bacci’s listeners understand the inherent joke underlying a song about the ’70s written by someone who was born in 1991. Of course, I can’t seriously mourn an era that I mostly learned about from watching erotic films and talking to my parents’ friends. That said, most things that I love (in music, art, fashion and the aforementioned erotica) were made in the ’70s, and I wonder if I would have thrived had I been born back then. “In The 1970s” is more of a loving ode to what I admire about that decade, and as a compositional experiment, an attempt to write something that used my favorite “’70s-sounding” signifiers.

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Nice work. This idea of changing melody with changes in lyric is called topic movement and it’s a winning technique for stopping endless lists of lyrics with no direction that can really clog up your listeners’ ears. Professor Andrea Stolpe, of USC’s Thornton School of Music, expands on this below.

Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.

Learn more on Soundfly: Check out Soundfly’s free online course, Touring on a Shoestring, and get better at booking, managing, and promoting your DIY tours in a matter of hours! Here’s a video from the course!