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Rob Lanterman is a writer, musician, and record label owner from Boise, ID. He enjoys writing about how aspects of punk rock and DIY have informed all areas of his life, as well as his own experience touring, writing, recording, and being a label owner.
Few sources of songwriter income are as consistent and dependable as public performance royalties. These are royalties that songwriters earn any time their songs are played in public, such as performed live at a concert, aired on TV/radio, and even streamed on services like Spotify, Pandora, or Apple Music.
“Bad at Love”: Just like the song Halsey sang last year with the Chainsmokers, “Closer,” this song defies a concrete tonal center, camping on what I first heard as the IV and V chords, with just a flirtation to the I chord at the end of the loop. It’s subjective as to how anyone’s ear is going to hear this tonally, at least at first. It’s like that famous “Rabbit-Duck” illusion where some people see a rabbit and others see a duck.
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I’d like to see if you have [dates] available for a show I’m putting together. I’ve reached out to [band 1], [band 2], and [band 3] to headline, and I can lock at least one of them down once we have the venue and date confirmed. I’ve included links to all of the artists’ music and their bios below.
Only drowning men could see him…
Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.
You isolate the harmonics on a guitar string by lightly touching it in certain places to deaden some of the vibrations. If you touch the vibrating string at its halfway point, you can hear it vibrating in halves. (On the guitar, the halfway point is right at the twelfth fret.) If you touch the string a third of the way along its length, you can hear it vibrating in thirds. (On the guitar, this point is right at the seventh fret.) Each whole-numbered fraction of the string produces a different harmonic. The shorter string sections produce higher and quieter harmonics.
Making templates is a helpful way to eliminate wasted time when you’re composing, recording, and mixing. Not only do you want to be ready to work when inspiration hits, but your workflow should continue to be effective as you finish your project or help your clients finish their projects.
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From this basis, I arrived at an elegant system of harmonic possibility that allowed me to compose music in an entirely new tuning system. I discovered rather than created this system, through a Bach-inspired process of “imaginative research,” infused with musical-theological connections in the spirit of Baroque metaphysics. For example, my use of the seventh partial mirrors and supports the subject matter of the Christmas/Nativity-themed text of the piece — according to Andreas Werckmeister, an organist and one of the main Baroque-era theorists of this system:
The goal here is to create maximum acoustic separation from the isolated sound source and any other sound-making objects, in order to get clean tracks that you can mix to your liking later. Examine the layout of your room, and do what you can to achieve this.
And for a bonus, because it’s not strictly designed for musicians, Google Analytics is worth checking out if you’re obsessed with learning more about the fans who visit your website. This platform is designed to help businesses (if you sell music, then you’re a business) better understand and serve their customers, and that makes it perfect for you.
Next up, it’s the lowdown on all 40 songs, ordered by weeks at #1, then on down to weeks in the Top 5 in descending order. So we start with the king of 2018.
Lastly, simple stage dressings can be very effective. I’ve seen an indie band bring an old TV on stage and play vintage VHS tapes in the background to crowd-pleasing effect. It was basic, but the extra effort and the miscolored TV playing My Cousin Vinny elevated the whole experience.